One is the wait, which is the largest thing this studio asks of anybody. The other is the technical reasoning behind a style that looks like a photograph and is nothing like one to make. Both get explained at the consult and both deserve longer.
A long waitlist is not an achievement and it is not a tactic. Where the time actually goes, what to do with it, and the two things that change while you are in it.
One ink, diluted, and no outline anywhere. Why realism is drawn with more contrast than the photograph has, and what that means at year twenty.
There is no calendar and nothing to subscribe to. These two exist because they are the questions asked most, and because one of them is an argument against how this industry usually talks about waitlists.
Everything else has a page of its own. The process covers the five steps. Studio policy covers the four declines with the reasoning. Pricing covers what the deposit buys and why it does not transfer. Aftercare covers the four weeks after.
If your question is not answered anywhere here, put it in the inquiry. The ones we keep hearing end up answered here.
Thirty minutes, free, with the artist who would do the work, and about half of it is usually this conversation.
Example interactive prototype. Not a real business. Names, photographs, reviews and figures on this page are illustrative. Identifying details on real client work are changed to protect their privacy. This is what Yeti can build for a tattoo studio in seven days.